HERNAMEISBANKS and she’s killing it.

She’s a Goddess and she definitely got this.

As she stands on stage and sings her soul out to the audience of Toronto’s The Hoxton, we can’t help but be bewitched by this tiny girl with haunting lyrics and a hypnotic voice. Some people say she looks like a witch, with her ‘all-black everything’ wardrobe and flowy black cape. But, realistically this girl is a modern day heroine. If you haven’t checked out her music, you’re absolutely missing out. She’s a genius and I love The Weeknd for introducing us to a talent that won’t be fading away anytime soon.

Her performance on June 10th at The Hoxton lasted for about an hour, she sang two encore songs, and still had the audience wanting more. Not too crazy about the venue, but she was hauntingly vibrant on stage and I can’t wait to hear more music from this girl.

Check out our video from her performance and check out @hernameisbanks  and her YouTube page for all her music.




THE WEEKND: Kiss Land Concert

“Toronto, can I get on top of you tonight? Toronto, can I make you come tonight? How about three times? Four times?” He’s really got love for his Toronto fans.


Last night was The Weeknd’s final show from a 3-night series for his fall tour- Kiss Land. Super impressed by the album Kissland and I’m blown away by the show last night, I’ve been a fan of The Weeknd before the radio started playing his music and before most people knew who he was. I think most people heard about him through Drake, although their music is completely different, they’re both brilliant in what they do. And what they do sounds amazing. The Weeknd’s opening act was by BANKS, an artist I became familiar with through The Weeknd’s Twitter feed. It’s amazing how far word of mouth reaches, and I have to admit I was just as excited to hear BANKS as I was to hear The Weeknd. They have the same kind of music, both hypnotic and mellow, and I think her opening up for him was absolutely perfect. I just wish they performed on a song or two together.

Her name is BANKS and her name you better get used to because she’s a f****** Queen. I love her music, love her voice, and I love what she stands for. She got the crowd live last night and it was absolutely amazing. When an artist can entertain a crowd with a simple backdrop, no lighting fx,no dance moves…that’s when you got something special, and that goes for both acts last night.


By the time The Weeknd came on everybody was just cray. He played all the songs I wanted him to play, started off with a few new ones from Kissland…and then he had a section where he played a bunch of oldies, ‘High for This’.

Okay so the entire time I was praying to the Gods that my Drizzy Drake would grace the stage and have me on the floor crying. The Weeknd (I didn’t realize everyone calls him Abel) performed ‘Live For’ which features Drake. This had to be the time when Drake comes on, and with Drake having a free night from his tour Would You Like a Tour? we literally thought we were going to see Drake.

Drake didn’t show up but that didn’t stop The Weeknd from closing the show out properly. He performed ‘Waunderlust’ my favourite off the new album…it was the best song to go out to.

No Drake…no special guests and it didn’t really matter…The Weeknd was all we needed.


Song of the Week: The WEEKND

Just in time for The Weeknd…no pun intended. Here’s a song from his new album Kissland. We’ll be at his concert on October 20th so be sure to check back for the review on that show.

I’m loving the album…especially when I’m ready to fall asleep! Check out ‘Professional’ one of my fave songs from Kissland.




Happy Thanksgiving to my fellow Canadians!

The DRAKE Interview.

With Drake’s third major label album on the horizon, (Sept 24) the Toronto rapper sits down with Billboard magazine to discuss his current state of mind, and what’s behind that sexy electrifying smile.


Billboard Cover Story

By Reggie Ugwu


Since he first popularized the millennial proverb and Oxford English Dictionary word of the year candidate YOLO (You Only Live Once) on the song “The Motto” two years ago, Drake has gone from being the hope of a new generation of rappers to the poet laureate of a new generation of adults. The phrase “started from the bottom” isn’t just the name of his 2013 Billboard Hot 100 top 10 single: It’s shorthand for denoting triumph despite inauspicious beginnings. “No New Friends” (featuring Rick Ross and Lil Wayne), the spiritual successor to “Started From the Bottom,” is more than a club banger-the saying itself is repellent for poseurs.

“I’ll be out trying to get a sandwich or something and the guy will say to me, ‘I’d give you a free drink with that, but you know, no new friends,'” Drake says with a laugh. “I swear I’m not sitting around going, ‘What’s the new meme going to be?’ But I do spend a lot of time when I’m writing, especially lately, trying to make something for people to live by. I’m trying to make anthems that are empowering to people, to find phrases that I haven’t heard before. I’m not just going to sit here and be like, ‘Fuckin’ bitches, getting money!'”

With all that momentum, it’s easy to see why Drake, and his tightly knit, proudly self-sufficient crew ­October’s Very Own, are starting to see the world as their oyster. Drake was always the brooding, introspective type, pondering the downsides of success even before he could finish boasting about achieving it. But these days, he’s more comfortable in his skin than he’s ever been before. For once he’s not anxious about finding love, or the haters, or the kind of music he wants to make. The guy who once infamously sang the words “I wish I wasn’t famous,” is, for the moment, happy.

“There’s a lot less sort of ambient ballad moments on this album where I’m searching or longing for something,” Drake says of Nothing Was the Same. “That sentiment is gone. Now I’m just kind of like, ‘You know, I’m 26, I don’t know what the fuck else I could be doing better than this. I feel incredible about how I’m able to support my family and friends and how supportive my family and friends have been of me.’

“A lot of people get on and it’s like they’re just waiting to get more on,” he continues. “They’re always waiting for a bigger moment to come. But I’ve started to realize that this is it, this is the moment. And it reads, you know? People come up to me now and they’re like, ‘Man, you look good! You look like you’re happy.'”

That inner peace has so far held up against external stressors. Drake says he’s made it a habit to ignore all commentary about him online, positive or negative. On any of the numerous occasions when another rapper tries to goad him into a public contest, he’s trying to let it roll off his shoulders. After hearing West Coast peer Kendrick Lamar’s instantly incendiary verse on Big Sean’s recent single “Control,” in which Lamar goes for the jugular of every rapper he deems a threat, including Drake, the latter says he “went about my day, went and got dinner and kept it moving.”

“I didn’t really have anything to say about it,” Drake says of the verse, which has so far inspired responses from A$AP Rocky, Joey Bada$$, former Los Angeles Lakers coach Phil Jackson and too many others to count. “It just sounded like an ambitious thought to me. That’s all it was. I know good and well that Kendrick’s not murdering me, at all, in any platform. So when that day presents itself, I guess we can revisit the topic.”

Much of the energy Drake isn’t spending on worrying or feuds has gone into growing his October’s Very Own movement, the nucleus of which is his native Toronto. OVO started as a crew with a blog in 2008, a platform that served as a kind of post-Hypebeast, pre-Tumblr manifestation of its members’ taste in expensive shoes and indie music. But as Drake’s career took off, so did the crew’s ambitions.

In 2010 it celebrated the inaugural OVO Fest, an annual, Drake-centric summer festival in Toronto now backed by Live Nation. In the four years since its debut, the festival has drawn superstars including Kanye West, Stevie Wonder, Jay Z, Eminem, Lil Wayne, Sean “Diddy” Combs and a reunited TLC, to name a few.

Last year, Drake and OVO partners Oliver El-Khatib, Drake’s co-manager, and Noah “40” Shebib, his longtime producer/engineer/confidante, took a logical next step when they signed a deal to launch OVO Sound, a new label set up at Warner Bros. Records.

“We had talked about a label for years, but now is the time when it feels right,” says El-Khatib, 29. “We’re mature enough and we understand the business enough and we have the infrastructure now. It’s not so scary anymore.”

Read more  of this article by Reggie Ugwu on www.billboard.com 

Song of the Week: BANKS

HernameisbanksThe Song of the Week goes to an upcoming artist named BANKS. Her sound has a mellow, laid back, summer night feel. Check it out and be sure to check out her other songs.

This song is called Warm Water (Snakehips Remix), listen and let me know what you guys think!

Follow BANKS on Twitter.



Song of the Week: The WeekND

Song of the week goes to The Weeknd ft Juicy J. The song is titled, ‘One of Those Nights’. Check out the video below.

New Music: @Liates

Check out another track by my bro Liates. Follow him on Twitter @Liates and please SUSCRIBE to his YouTube page Here.

This one’s called “Flamboyant Freestyle”

Song Of The Week: LIATES

Check out another cover track from Liates. The song is “In For The Kill” By La Roux. Follow @Liates for more track updates and Suscribe to his YouTube page!!